Guitar
Bass
Keyboard
Amp/Effects
Drums
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Folk Instruments
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Used Gear

151 E. White St.
Rock Hill, SC 29730
803-980-5345

Studio proper:

Dimensions are 19’ x 24’ (456 sq. ft.) x 11’ ceiling. Acoustically treated with Auralex absorption & diffusion panels, and bass traps; ClearSonic baffles.

Control Room:

Dimensions are 13’ x 17’ (221 sq. ft.) x 10’ ceiling. Constructed to be acoustically isolated from studio, and treated with Auralex.

• C.Beckstein 8’6” Orchestral Concert Grand piano
• Mason & Hamlin 4’ upright piano
• Drum Workshop Maple 7-piece drum kit
• Kick: 18 x 22”
• Toms: 8”, 10”, 12”, 14”, 16”
• Snare: 14 x 4-1/2” maple
• Tama Snare drums: 12 x 5-1/2” steel; 13 x 4-1/2” maple.
• Tama Iron Cobra kick pedal
• Zildjian Cymbals: 14” New Beat HH, 16” A series Med. Thin crash, 17” A Custom
• Projection Crash.
• Line 6 Variax modeling electric guitar
• Line 6 Variax modeling acoustic guitar
• Line 6 Variax modeling electric bass
• Fender American Standard Strat
• Brian Moore iM electric guitar with
• Roland GK guitar synthesizer pickup
• Roland GR-33 guitar synthesizer
• Roland GI-20 guitar MIDI interface
• Aria Pro II mandolin

Amplifiers:

• Ampeg Reverberocket tube guitar amp, 1 x 12”
• Ampeg B-18N tube bass amp, 1 x 18”
• Roland JC-120 Jazz Chorus amp
• Line 6 POD-Pro amp modeling unit

Keyboards:

• Fatar S90 weighted 88- key MIDI controller
• Korg Karma 61-key workstation

Microphones:

• Neumann U87-Ai large diaphragm multi-pattern microphone
  
• (2) Neumann TLM103 large diaphragm microphone
  
• Apex 460 large diaphragm multi-pattern tube microphone
  
• Electro-Voice RE-20 dynamic microphone
  
• (2) Sennheiser 421 dynamic microphones
  
• RCA vintage ribbon microphone
  
• Shure vintage Unidyne 556 microphone
  
• Shure Beta 52 microphone
  
• Shure SM-57 mic

Control Room Equipment:

• Trident S100 analog 8-channel mixer
  
• Focusrite ISA-428 4-channel preamps
  
• (2) Drawmer DL-421 dual channel expander/gate/compressor/limiter
  
• Art Pro-VLA tube leveling amplifier
  
• (2) MOTU HD-192 12-channel analog/digital interface with PCI card
  
• Apple Mac G5 computer, Dual 2 GHz PowerPC, 1.5GB RAM; 2 external Firewire hard
  
• drives (112GB + 75 GB); dual 17” monitors.
  
• Mackie Control Universal with Control Extender: 16 physical fader channels for remote
  
• control of recording software.
  
• MOTU Micro-Lite MIDI interface, 5 ports
  
• TC Electronics external Firewire plug-in processor
  
• Software:
  
• Steinberg Nuendo 2.2 digital audio workstation
  
• TC Electronics PowerCore plug-ins
  
• Apple Logic Pro 7 digital audio workstation
  
• Propellerhead Reason 2.5 sequencer/drum processor/software synth & samples
  
• Big Fish Audio “First Call Horns” samples

Monitor systems:

• JBL LSR-28 near-field bi-amped studio monitors
  
• Tannoy PS-110B sub-woofer
  
• For the studio:
  
• Furman 6-channel headphone distribution system, with 4 mixing stations
  
• Alesis Monitor Two 3-way reference monitors

Studio Rates:

• Tracking: $50.00 per hour. Includes engineer and use of any studio instruments and equipment
  
• Mixing & mastering: $40.00 per hour